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The Synth-Pop Duo's Musical Force Dave Ball Dies, at the Age of 66

Dave Ball and Marc Almond of Soft Cell
Dave Ball (on the left) formed Soft Cell alongside Marc Almond at Leeds during 1977

The talented musician, a key member of the pioneering 1980s synth-pop band Soft Cell, has passed away at the age of 66.

Together with singer Marc Almond, the team scored a worldwide hit with their cover of Gloria Jones' the classic track Tainted Love in the mid-80s, and their debut album Non-Stop Erotic Cabaret is considered a seminal work of electronic music.

He subsequently founded the pioneering electronic act The Grid, who achieved chart success with 1994's the hit Swamp Thing.

Ball died peacefully in his sleep at his home in London on Wednesday 22 October, just weeks after playing a featured performance with Soft Cell at the Rewind Festival in the Thames-side town.

Recent Health Challenges

At that performance, Ball appeared in a wheelchair, as he had for the previous couple of years, after a spate of health issues.

"I ended up injure myself quite a bit," he stated in a recent interview. "I fractured lower vertebrae in my back and fractured about five ribs and fractured my arm."

After catching a lung infection and suffering from blood poisoning, he was placed in an medically-induced sleep and stayed in the hospital for half a year.

However, he had been in "high spirits emotionally" during the summer, as he worked on a fresh record with Almond, titled Danceteria, which is set for publication next year.

"He was focused and so happy with the latest project that we actually completed only a few days ago," said the vocalist in a heartfelt message.
"It's truly heartbreaking as next year was all set to be such an uplifting time for him, and I take some solace from the knowledge that he listened to the finished record and believed that it was a masterpiece."
Soft Cell performing in the early 1980s
The band were at the vanguard of the synth-pop movement in the beginning of the decade

Heartfelt Messages

Almond described his bandmate as "an exceptionally talented musical genius", stating: "He was the core essence of Soft Cell and I'm extremely pleased of our body of work.

"Many thanks Dave for being an significant part of my existence and for the music you created with me. I wouldn't be where I am without you."

His Grid bandmate from The Grid, also paid tribute, recalling Ball's "constant humor" and "steadfast support".

"Forming a duo with someone is different from joining a band, the connection is very tight," he continued.
"That was the case with us. We went through so many remarkable, incredible, memorable moments together. Many thanks, Dave."
Dave Ball in 2018
Dave Ball, photographed at BBC Radio 2 in recent years

Early Life

Brought into the world into a one-parent family in Chester in 1959, Ball was given up for adoption when he was a year and a half old.

He was raised in Blackpool with adoptive parents Donald and Brenda Ball, who changed his first name from Paul to his adopted name, together with his younger sister Susan, who was also adopted.

He encountered Almond at Leeds Polytechnic in the late 70s, where they were both studying fine arts. Fuelled by a mutual passion of a music genre, they formed Soft Cell the same year, and quickly recorded an EP.

Creative Collaboration

The pair were an distinctive combination: Ball was the quiet musician, hunched over his keyboard, while Almond was a flamboyant showman, all sparkle and makeup; but they attained a rare creative synergy.

Ball had developed a interest with electronic instruments after viewing the band Kraftwerk perform on BBC program a popular series, and started to marry dark electronica to the catchy tunes Almond was composing.

Tainted Love became the UK's second most popular single of 1981, shifting 21 million units globally. Alongside successful tracks by Gary Numan, contemporary bands and electronic acts, it helped cleared the way for the synth-pop sound of the 80s.

The track was also featured on their first album, their initial LP, which spawned two further high-charting singles: Bedsitter and Say Hello, Wave Goodbye.

They followed the record up with the stand-alone single, Torch, which reached at number two in 1982.

Soft Cell in the studio
The pair were working on new material right up until Ball's death

Professional Journey

Success had its upsides. "I loved being able to purchase my initial property, having financial security and exploring, which makes me sound like a beauty queen," Ball recently shared with a music magazine.

But it also presented problems. "Newfound wealth allowed we could afford newfound drugs to alleviate the monotony" of media interviews and television shows, Ball explained.

"I know that's a cliché, but it's a cliché for a good reason, because it works for so many bands."

During the party-filled existence, the duo were also drifting apart, but they succeeded to produce a second classic album - the unconventional, edgy and aptly-titled The Art Of Falling Apart.

They put out one more album, 1984's This Last Night In Sodom, before dissolving the group to focus on individual endeavors.

Almond went on to have a prosperous solo career, including the chart-topping single Something's Got A Hold Of My Heart; while Ball formed The Grid, who mixed acid house with melodic sounds over a enduring collaboration.

Reunions and Final Projects

Soft Cell came back together in 2001, producing the Top 40 record Cruelty Without Beauty.

After another break, they reappeared in recent years, releasing the new tracks Northern Lights and Guilty (Cos I Say You Are) before performing what was supposed to be a final performance at the O2 Arena on September 30, 2018.

However, they stayed active, recording their latest project, Happiness Not Included, during the pandemic Covid lockdown.

Ball recently described the band's new album as a tribute to the New York club scene they visited while recording their first two albums.

He noted that his time in hospital had shaped the group's music.

"I had strange recollections when I was coming and going of hospital because I was on morphine," he told a music magazine.
"The new songs are a digital reflection of the sounds in my head from that time.
"Simultaneously, it's about the times we got up to in the 1980s."

The final mixes were finished only days before Ball passed away. It is due for release in the spring of 2026.

The writer

Charles Wilson

A passionate writer and researcher with a background in digital media, dedicated to sharing knowledge and sparking meaningful conversations.

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